Skip to main content

Kyung An & Jessica Cerasi - Who's Afraid of Contemporary Art?

Who’s afraid of contemporary art? An A to Z Guide to the Art World is the very fitting title for the witty, educational book about the world of contemporary art, written by authors Kyung An (assistant curator at the Guggenheim Museum, New York) and Jessica Cerasi (exhibitions manager at Carroll / Fletcher gallery, London) and published by Thames & Hudson in 2017.
The authors attempt to condense the history of contemporary art and the inner workings of the art world in this fun, easy-to-read volume. The book is divided into 26 chapters, each answering a well-chosen question about contemporary art and its world, from A to Z, with each letter corresponding to a specific topic or idea. After briefly explaining the concept of the book, they give a concise and relevant example; whether it is a individual artist, a certain way contemporary art is created, or venues for contemporary art. I found the example in chapter 8 particularly relevant, because it explains the messages against misogyny and racism that can be found in the artworks of the Guerilla Girls.
The authors believe that art is contemporary when it "speaks to our globally influenced, culturally diverse, and technologically advancing world", and they chose the topics discussed in the book with this idea in mind. Other topics that are covered in this book include the role of curators, the exhibition schedule, the role of taste-makers, the Turner Prize, Art Basel, the function of galleries to showcase new artists, the socially conscious works of certain artists, and the efforts of performance artists to engage with their creations. Each chapter also has pictures of the artworks that are discussed, which makes understanding the explanations that the book provides far easier.
The art world can be confusing even for art lovers and this book does a great job of demystifying contemporary art, which can sometimes appear nonsensical. The book offers the reader an overview of the contemporary art world at large and manages to be funny but also educational. It is perfect as an introduction to this sometimes-baffling art form, especially for people who enjoy art but not necessarily contemporary art. I would thus definitely recommend this book to people interested in contemporary art, be they art connoisseurs or people with a passing interest in it, because it is an easy, entertaining read that leaves you wanting to expand your knowledge on art and its fascinating world.
[Kyung An, Jessica Cerasi, Who's Afraid of Contemporary Art? An A to Z Guide to the Art World, Thames and Hudson, New York and London, 2017, 144 pages]
Ana Apostu

Comments

Popular posts from this blog

Britannia Pacificatrix, Sigismund Goetze - Analysis / Analiză

        Britannia Pacificatrix is a painting by Sigismund Goetze, made in 1921 for the Foreign Office of the British Government. It belongs to a larger series of works made by Goetze starting from 1912, all of them centered on the evolution, expansion, and triumph of the British Empire. Decorating the walls of the entire office, the images form a propagandistic story that wants to express, through allegorical methods, the grandeur, the power, and the superiority of the Empire that pacified the world after World War I.     A short morphological analysis of the work can easily reflect its propagandistic character: the center of the painting is occupied by the magnificent Britain, dressed in a red cloak that resembles the imperialist troops’ uniforms and a galea, a roman helmet that makes her look like the goddess Athena. On the left side there are the allegorical representations of Britain’s dominions: firstly, the colonies of white people (Australia, Canada, New Zeeland, and South Afri

Ophelia, John Everett Millais - Analysis / Analiză

Ophelia is an oil painting done by John Everett Millais around the year 1851, as part of the Pre-Raphaelite movement. As we can tell from the title, the central theme of this work of art is inspired by a well known scene in the world of English literature, the drowning of Ophelia from the Shakespearian play Hamlet : driven to madness by her father’s death, Ophelia climbs on a willow branch and starts to weave flower garlands, while singing; when the branch beneath her breaks in half, she falls into the river; instead of fighting to get out, Ophelia keeps on singing, while sinking slowly in the muddy water. The play dates from the early 17th century, but the actual time period in which the action takes place is uncertain; while it’s being speculated that the writer’s source of inspiration is a Saxon chronicle from the 13th century, a chronological landmark is never mentioned in the play. First of all, we must turn our attention to the natural setting, which illustrates the attention

N.A.G. Cluj (I)

  Studenții au vizitat și documentat expozițiile deschise cu ocazia Nopții Albe a Galeriilor - Cluj, 2021. Aici sunt impresiile lor! Titlu: Work Upside Down Artiști: Blajin, Compania Texte bune în locuri nebune, Compania MIN(D)ING, Cristina Vasilescu în colaborare cu Quote—Unquote și Bob Bicknell-Knight, Ioana Păun & Flavia Giurgiu, Kali / Mihaela Drăgan, Larisa Crunțeanu, LARP Timișoara, Mihai Păcurar, Orsolya Gál, Polina Kanis, Raluca Paraschiv, Time’s Up Locație: Centrul Cultural Clujean Pro: Modul de amenajare a expoziției, trecerea de a la o cameră la lata, de la un performance la altul. Viziunile diferite ale artiștilor asupra contextului actual, respectiv pandemia și felul în care aceasta ne va putea afecta viitorul. Lucrarea Șoptitorii care tratează tema unei mentalități ce aparent aparține altei perioade – cenzura –   dar care este foarte prezentă și în ziua de azi. Con: Temperatura scăzută în clădire ajungea să afecteze de la un moment dat experiența vizitării acesteia.